Intensely dramatic and powerful, this completely reimagined version of Phil Collins' classic 80's hit was recorded by Judith Hill for the show "Little Fires Everywhere." Designed as an opener, it establishes a dark, foreboding mood and puts the audience in suspense immediately. It features an alto soloist for the beginning and very last phrase of the song, along with interesting polyphonic choral parts.

Instrumentation: Piano/Synth/Guitar/Bass/Drums/Percussion/2 Tpt/1 Tbn/Alto & Tenor Sax

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